樣子

from wikipedia, the free encyclopedia

media art
New media art is a genre that encompasses artworks created with new media technologies, including digital art, computer graphics, computer animation, virtual art, Internet art, interactive art technologies, computer robotics, and art as biotechnology. The term differentiates itself by its resulting cultural objects and social events, which can be seen in opposition to those deriving from old visual arts (i.e. traditional painting, sculpture, etc.) This concern with medium is a key feature of much contemporary art and indeed many art schools and major Universities now offer majors in "New Genres" or "New Media". New Media Art often involves interaction between artist and observer. New Media concerns are often derived from the telecommunications, mass media and digital modes of delivery the artworks involve, with practices ranging from conceptual to virtual art, performance to installation.

art film
An art film (also known as art movie, specialty film, art house film, or in the collective sense as art cinema) is typically a serious, independently made film aimed at a niche audience rather than a mass audience. Film critics and film studies scholars typically define an "art film" using a "...canon of films and those formal qualities that mark them as different from mainstream Hollywood films", which includes, among other elements: a social realism style; an emphasis on the authorial expressivity of the director; and a focus on the thoughts and dreams of characters, rather than presenting a clear, goal-driven story.

popular science
Popular science, sometimes called literature of science, is interpretation of science intended for a general audience. While science journalism focuses on recent scientific developments, popular science is broad-ranging, often written by scientists as well as journalists, and is presented in many formats, which can include books, television documentaries, magazine articles and web pages.

popular science film
Popular Science (1935–1949) was a series of short films, produced by Jerry Fairbanks and released by Paramount Pictures.
The Popular Science film series is a Hollywood entertainment production - the only attempt by the movie industry to chronicle the progress of science, industry and popular culture during the first half of the 20th Century. The series was created by independent Hollywood film producer Jerry Fairbanks in May 1935. Produced with the cooperation of the editors of Popular Science magazine, the series introduced its audience to advances in medicine, aviation, science and technology, television, home improvement, planes, trains and automobiles, as well as an assortment of strange and whimsical inventions.

ecotourism
Ecotourism is responsible travel to fragile, pristine, and usually protected areas that strive to be low impact and (often) small scale (as an alternative to mass tourism). Its purpose is to educate the traveler; provide funds for ecological conservation; directly benefit the economic development and political empowerment of local communities; and foster respect for different cultures and for human rights. Since the 1980s ecotourism has been considered a critical endeavor by environmentalists, so that future generations may experience destinations relatively untouched by human intervention. Several university programs use this description as the working definition of ecotourism.


各種狀態、各種喜好、各種野心，長成外在的各種樣子。時間分配是公平，所以出不了廚房也進不了廳堂。
天秤座是不是擁有砝碼太多，才落得只有幫人秤重的份？

而我最喜歡的樣子，只是很隨意的閱讀與小創作。

難道我根本是要當貴婦的？
女性主義應該要開闢一道解放期望作貴婦的自由，主體送給你們，自由與享樂我們來就好。


擁有十年血淚英國經驗的表姐說，你必須有一個站可以靠邊，那是支撐你與眾不同且占有席位的保護座；文化研究你不能放、生態經驗你不能放，最好一面朝向最新潮的media art一邊擁抱著海洋，你知道的吧，大家總是對陸地比較熟悉。

恰似，我的人生格鬥已經online了！
excuse me？有沒有優雅的與敵人喝下午茶這個選項？

喜悅的火（Feu de jolie, 1892)

我又開始聽昇歌，像是想抓住些什麼，也像是想放開些什麼。
我反覆的聽，讓單曲播放好幾十回，電腦貼心的紀錄著次數，它成為我最喜愛的歌曲之一。即使陳昇從頭到尾都沒有獻聲，只派幾個音符陪我而已。


五年。她說，人生的五年是個檢驗。

我不服氣。
憑什麼在運用資源與自由不費氣力的妳，可以大聲說話。

五年過去。她的名聲越來越響，我從邊緣、周邊、偷偷竊近了核心，好像漸漸能全觀看見她所說的五年，是基於何種個性與條件之下，various，甚至我也漸漸喜歡上了她。

五年過去。不那麼快，卻也埋頭、仰頭、抱頭、甩頭的過去。我喜愛我的每個五年，唯一感到不安的是思考太多。


蠟黃、綠光疊影、暈黑輪廓、不潔淨的肥美，那是一種髒兮兮的叛逆，在木板上薄薄的塗著，仔細的精算規劃著。他說他離開是為了平靜，尋找一種純粹而簡單的創作，他渴望原始，一種零污染。

可能是一種無為無治、無憂無慮吧。
但那些真符合理想濃厚氣息的腋毛陰毛手部腳部與臉部的鬚髮，全數被修理整齊，裝進四方畫框，再搖搖晃晃的飄揚四散在歐美或所有能降落的大地上。

他以為他逃到了無境之地，終能享受一種遠離繁世的天地，夾著所定義的自己，踏進陣陣海風的大溪地。我相信，他的手心與腳趾縫隙，肯定是溼熱溫暖的，可他的心，真是孤單的令人疼惜。


時代的作者，都企圖走出既定的美學格局，越是晚進花叢，越是天真如火。





ps.
我喜歡的那幅「喜悅之火」有著非常廣闊的草地，與天上的雲彩、充盈在天地間的空氣，分化了框內三個領域，一枚小小的柴火，在正中偏左，安安靜靜的燒著，無人為它吟誦，也無人圍繞著它隨便作些什麼，但它卻擁有這三塊朋友，我很喜歡，在展場的轉角，深深的看著它。而同時，轉角內的警衛也深深的看著我，可能我靠的太近了吧？我心想他一定覺得很無聊吧！高更算什麼東西啊～展物這麼少有必要我一直在這裡站崗嗎？但最後我還是順著人潮，進入了本展的第三階段--大溪地時期（其實也才兩幅而已）。就朝拜者而言，這真是一個好昂貴的展覽，能夠把四散的作品都看到，不知要有什麼機會了。

而「喜悅的火」真難找，明信片買不到，網路圖片也分享不到，只能記在心上了。我所附圖的是「我們來自何處？我們是何許人也？我們要往何處去？」1898年，現收藏於美國波士頓美術館，是高更與世人共同認為，是高更力量絕頂的創作。





194

叛逆期過熟

最初是不甘心，
最末也會是不甘心嗎？

為什麼要與好不容易找尋的界限握手？
為什麼要放掉好不容易理解的繁花沙漠？

我不是來學習服從的。

--

我不願意活著的每一天浸在不被尊重與隨處可丟棄的狀態裡
壓抑是可繼續的
但請千萬要謙虛

未來的我若真如願的處在跨領域的世界裡
現在的我便是最好學習的警惕

days in 28
我要努力再一次的叛逆！！！